MIERCUREA FARA CUVINTE-EMOTIONS

O initiativa a lui CARMEN

cybershamans (karmapolice) / CC BY-NC-ND 3.0

Read More

KARMA POLICE-AZI "Centrul de Medicina Integrativa Qi"

...sau unde sa NU mergem sa ne tratam daca ne este rau si dorim sa facem acupunctura.

"Centrul de Medicina Integrativa Qi' are o pagina foarte pompoasa. Pe ea sintem anuntati ca centrul and I quote: "s-a infiintat in 2010 avand la baza o echipa de medici si oameni de afaceri ce isi doreau sa faca o schimbare a calitatii serviciilor medicale din Romania.

Din multitudinea de propuneri a fost ales conceptul de "Medicina integrativa" care combina medicina alopata cu terapiile medicinii alternative si complementare obiectivul fiind imbunatatirea starii de sanatate a fiecarui pacient care apeleaza la serviciile clinicii noastre. "

No shit! O intimplare foarte frumoasa s-a petrecut ieri cind, o buna prietena de a mea, om de afaceri(subliniez chestia asta pentru ca avind o firma este EXTREM de ocupata) impreuna cu sotul ei, s-au decis(eroare grava) sa se duca sa se trateze de dureri lombare(sux, I know) la centrul cel laudat ca pomul din proverb.

Dupa ce s-a programat acum o saptamina suportind poliloghia duduii de la telefon care nu a binevoit sa o anunte la CE MEDIC a programat-o, ieri prietena mea s-a dus(again cu sotul-deci programare DUBLA) la clinica.

Acum lumea din Bucuresti stie cum a fost ieri in minunatul oras. Masina personala nu e de scos, deci au mers cu troleul-asteptind zeci de minute sa vina, apoi PE JOS prin labirintul de stradute intortocheate din zona Foisorului de foc, in conditiile de ger si cod portocaliu bine cunosctue, IN CRIZA DE SCIATICA.

Ajunsi cu 5 minute mai tirziu din cauza ghetii sint intimpinati de o duduie(cu accent pe prima silaba) zimbitoare care ii intreaba la ce medic au programare. Nestiind, prietenii mei ii comunica ora la care fusesera programati-6 P.M.- la care du-duia le spune extrem de relaxat ca domnu' doctor Barbulescu la care ar fi trebuit sa faca sedintele de acupunctura nu vine toata saptamina.

OK. Acum nu e vina domnului doctor ca nu vine-fiecare e liber sa faca ce vrea, dar du-duia sau o colega nu trebuia sa anunte clientii ca nu mai sint programati?

Indignata si inghetata prietena mea a pus aceasta intrebare timp de 20 de minute, la care raspunsul stereotip si transant a fost"ati fost sunata'. Repetitiv si mecanic cu toate ca i s-a spus clar ca nu e adevarat.

OK NU i s-a dat nici un telefon, NU a fost reprogramata la alt medic, NU a fost intrebata daca are dureri, NU a fost nici macar tratata ca un client al unei clinici normale, daramite a unei clinici mai..deosebite.... ce doreste sa schimbe standardele dupa care pacientii sint tratati.

Acum ca sa ma dau rotunda eu oricum i-am spus sa se duca la doctorul meu de acupunctura-dr. Tzu de la Obor celebrul doctor chinez pe care il cunoaste tot Bucurestiul, dar fiind mai aproape de ea, a ales aceasta clinica-ce parea very uber hip.

P.S-Daca tot au fost nesimtite pentru ca nu-i asa nu e clinica lor si li se rupe daca patronii pierd sau nu clienti(btw acesti cclienti erau chiar interesanti), macar sa le facem si celebre atit pe tanti care pe data de 6 februarie la ora 18 se ocupa cu receptia la centrul sus mentionat cit si pe colega ei(invizibila I think).

TZEAPA!

Concluzia: NU va duceti la clinica de acupunctura QI!!!!
Stiti cum zice romanul-:"Pe afara vopsit gardul, inauntru leopardul!"

Later edit-in urma excursiei prin nameti si ger prietena mea este la pat cu gripa si frisoane. Cool.
La propriu!



cybershamans (karmapolice) / CC BY-NC-ND 3.0

Read More

3 year old violinist (Mozart Concerto No.4)

cybershamans (karmapolice) / CC BY-NC-ND 3.0

Read More

Breastplate of the high Priest

cybershamans (karmapolice) / CC BY-NC-ND 3.0

Read More

OUR NU PRIME MINISTER-MIHAI RAZVAN UNGUREANU

Iepurelemizantrop strikes again

cybershamans (karmapolice) / CC BY-NC-ND 3.0

Read More

THE ENTRANCE OF LIFE AND DEATH

"The Front of the Egglike Cocoon of Man (Aura) has a Protective Shield, which "Seers" call the Front Plate. It is an almost impregnable, unyielding Shield that protects us throughout our lives against the onslaught of a peculiar Force that stems from the emanations themselves. The "Seers" calls it the "Rolling Force", or the "Tumbler" (Tumbadora), a force that pertains to all details of Life and Death"...

.

"It is a Ceaseless Force that Strikes Us Every Instant of Our Lives. It is Lethal when "Seen", but otherwise we are oblivious to it, in our ordinary lives, because we have protective shields. We have consuming interests that engage all our awareness. We are permanently Worried about our Self Image or our Possessions.

These shields, however, do not keep the Tumbler away, They Simply Keep Us from "Seeing" it Directly, protecting us in this way from getting hurt by the fright of "seeing" the balls of fire hitting us. Shields are a great help and a great hindrance to us. They pacify us and at the same time fool us. They give us a False Sense of Security"...

.

"The Rolling Force is the means through which the "Spirit" distributes life and awareness for safekeeping, but it also is the force that, let's say, collects the rent. It makes all living beings die. He said that seers describe it as an Eternal Line of Iridescent Rings or Balls of Fire, that Roll onto Living Beings Ceaselessly. Luminous organic beings meet the Rolling Force head on, until the day when the force proves to be too much for them and the creatures finally collapse"...

.

"The "Seers" concluded that there were, in effect, Two Different Aspects of the Same Force:

The Tumbling Aspect relates exclusively to Destruction and Death. The Circular Aspect, on the other hand, is what Maintains Life and Awareness, Fulfillment and Purpose"...

.

"Both forces are Fused, but are not the same. The Circular Force comes to us just before the Tumbling Force; they are so close to each other that they seem the same. The reason it's called the Circular Force is that It Comes in Rings, Threadlike Hoops of Iridescence. And just like the Tumbling Force, It Strikes All Living Beings Ceaselessly, but for a different purpose. It strikes them to give them Strength, Direction, Awareness; to Give them Life"...

.

"What the "Seers" discovered is that the Balance of the Two Forces in every living being is a very delicate one. If at any given time an individual feels that the Tumbling Force strikes harder than the Circular One, that means the Balance is Upset; the Tumbling Force strikes harder and harder from then on, until it Cracks the Living Being's Gap and makes it Die"....

.

(Don Juan)

.

.

cybershamans (karmapolice) / CC BY-NC-ND 3.0

Read More

EXPELLED:NO INTELLIGENCE ALLOWED-INTELIGENTA INTERZISA

Expelled: No Intelligence Allowed is a 2008 documentary film, directed by Nathan Frankowski and hosted by Ben Stein.The film contends that the mainstream science establishment suppresses academics who believe they see evidence of intelligent design in nature and who criticize evidence supporting Darwinian evolution and the modern evolutionary synthesis as a mainstream conspiracy to keep God out of science laboratories and classrooms.

The scientific theory of evolution is portrayed by the film as contributing to fascism, the Nazi Holocaust, communism, atheism, and eugenics. The film portrays intelligent design as motivated by science, rather than religion, though it does not give a detailed definition of the phrase or attempt to explain it on a scientific level. Other than briefly addressing issues of irreducible complexity, Expelled examines it as a political issue.

Expelled opened in 1,052 theaters, more than any other documentary before it, and grossed over $2,900,000 in its first weekend. It earned $7.7 million, making it the 18th-highest-grossing documentary film in the United States (statistics include 1982–present, and are not adjusted for inflation). In July, the movie was re-released allowing groups of 300 to book private screenings in theaters.^{(source wikipedia)}

^{FULL HERE}

Cu titlul original Expelled: No Intelligence Allowed, acest film documentar vrea să arate “dictatura” darwinismului în știința modernă. Filmul susține ideea că știința oficială respinge descoperirile unor cercetători care afirmă cărora natura are un design inteligent și că teoria darwinistă a evoluției este doar o conspirație care îl exclude pe Dumnezeu din ecuație.

Libertatea academică e suprimată, iar profesorii din SUA sunt concediați din posturile pe care le dețin pentru că promovează sau chiar explorează deisgnul inteligent ca variantă pentru darwinism. Realizatorii filmului spun că teoria științifică a evoluției a contribuit la fascism, la Holocaustul nazist, la comunism, ateism și eugenie.

Documentarul a fost intens criticat atât de public, cât și de Asociația Americană pentru Științe Avansate, care descrie filmul ca o propagandă mincinoasă care are ca scop introducerea ideilor religioase în sălile de clasă.

Vizionare online film documentar subtitrat Inteligența, interzisă

cybershamans (karmapolice) / CC BY-NC-ND 3.0

Read More

Enigmele Mării Negre

marea enciclopedie a geto dacilor: Enigmele Mării Negre: În urmă cu aproximativ 13.000 de ani, clima europeană era destul de asemănătoare cu cea a zilelor noastre, exceptând partea de nord ...

cybershamans (karmapolice) / CC BY-NC-ND 3.0

Read More

F TARE EPISOD- CODUL LUI ORESTE | Invitat: Dr. Emil Străinu | 17.SEP.2011 © ANTENA 2 ...

cybershamans (karmapolice) / CC BY-NC-ND 3.0

Read More

TOMIRIS,REGINA GETILOR

marea enciclopedie a geto dacilor: TOMIRIS,REGINA GETILOR-A INTEMEIAT CETATEA TOMIS: CYRUS “Tunc Tomyris regina, aucta victoria tantaque praeda de inimicis potita, in partem Moesiae, quae nunc a magna Scythia nomine mutuat...

Mihai Eminescu - Gemenii

O candela subtire sub bolta cea înalta
Lumina peste regii cei dacici laolalta,
Cari taiati în marmur cu steme si hlamide
Se însirau în sala sub negrele firide,
Iar colo-n fruntea salei e-un tron acoperit
C-un negru val de jale, caci Sarmis a murit.
Iar chipu-i cel din urma în lungul sir de regi ­
Sub valu-i ca pe-o umbra, abia îl întelegi.
Deodata crâsca fierul în dosu-unei firide.
A unei tainiti scunde intrare se deschide,
De sub o manta lunga se-ntinde-o alba mâna,
Ce tine o faclie aprinsa de rasina,
Care îi bate-n fata si-i lumineaza chipul…
Pe-un stâlp taiat, orlogiul îsi picura nisipul.
Brigbelu ce cu Sarmis e frate mic de-a gemeni ­
Ca umbra cu fiinta sunt amândoi asemeni ­
Încet înainteaza, faclia si-o ridica
S-urechea atiind-o el asculta: , , Nimica!
Un ceas mai am, si iata ca voi ajunge-n fine
Atât de sus în lumea creata pentru bine.
Creata pentru bine ne spun cartile vechi,
De mii de ani ne suna legenda în urechi…
Si am vazut virtutea gasind a ei rasplata,
Ce nu numai de oameni de zei e-nvidiata,
Rasplata prea frumoasa: un giulgi si patru scânduri.
De când vazui aceasta, am stat mereu pe gânduri:
Sa-mi stâmpar lacomia? Pe lânga dulci izvoara
Sa trec murind de sete pentru-o asa comoara?

Pe când c-un om în lanturi de-i frate chiar, ce-mi pasa
Daca-l împing în laturi? O cale luminoasa
Nainte-mi se deschide? L-am dat deci la o parte,
De-ale virtutii bunuri sa aiba singur parte.
Ei! Lumea-i împartita în prosti si în sireti,
Iar patimelor rele viclenii le dau pret.
Samânta roditoare se cade ca sa sameni.
Ca sa fii domn, se cade sa-i iei adânc pe oameni.
Voiesti ca sa se-nchine cu toti l-a tale oase,
Atunci învie-într-însii pornirea dusmanoasa,
Invidia si ura boteaza-le virtuti,
Numeste-erou pe-un gâde ca fierul sa-i ascuti,
Pe cel viclean si neted numeste-l întelept,
Nebun zi-i celui nobil si simplu celui drept,
Din patimi a multimii fa scara la marire
Si te-or urma cu totii în vecinica orbire.
Cu laude mângâie desertaciunea lor,
Din roiuri risipite vei face un popor
Si sigur fii la rele de-a pururea urma-va,
Cu sânge si cenusa pamântul presura-va…
Fereste-te de una, sa te pazeasca ceriul,
Sa nu te-mping-un demon a spune adevarul.
A spune: ca nu-s vrednici decât de-adânc dispret,
Ca pentru-o vorba goala jertfesti a lor vieti,
Ca-n tine nici îti pasa macar de-ale lor pasuri,
Ca cu a lor micime de suflet tu îi masuri,
Ca lauda, cu care i-ncarci e o ocara,
Ca tot ce e ca dânsii e vrednic ca sa piara.”

Deodata iar asculta… se îmfla a lui nari,
Aude glasuri multe si pasi urcând pe scari,
Iar usa de la mijloc da aripele-n laturi,
De intra voievozii de tari si de olaturi,
În fruntea lor c-un preot batrân… Iara mosneagul,
Cu laurul vecinic verde în paru-i alb, toiagul
De aur si-l ridica: , , Brigbelu, iata ora
Ca-n numele multimii si-n fata tuturora,
Venii sa chem de trei ori pe rege-n gura mare
Si daca nici acuma din umbra-i nu rasare,
Sa-ti oferim coroana, caci legea ne prescrie
Ca peste-un an nici tronul desert sa nu ramâie,
Nici vaduva coroana de tâmpla cuvenita”.

Pe un tripod s-aduce catuia aurita.
Cu faclii stinse-n mâna-n genunche cad ostenii,
Iar preotul aprinde un vraf de mirodenii.
De fumul lor albastru se împle bolta nalta,
S-acopere multimea, iar flacarile salta,
Toti în genunchi cu groaza asculta în tacere
Iar preotul începe cu glas plin de durere:
, , În numele Celůia, al carui vecinic nume
De a-l rosti nu-i vrednic un muritor pe lume,
Când limba-i neclintita la cumpenile vremei,
Toiagul meu s-atinge încet de vârful stemei
Regesti, si pentru dânsa te chem daca traiesti
O, Sarmis, Sarmis, Sarmis! rasai de unde esti.”
Pe ochi tiind o mâna facliile-si întind,
La sfântul foc din mijloc cu toti si le-aprind.
Prin arcurile nalte trecu un jalnic vaier,
Iar bratele ridica facliile în aer.
Iar preotul smunceste c-o mâna pânza fina
Ce-acopere statua de marmura senina
Si tesatura neagra de-un fin si gingas tort
Lasând sa cada-n flacari, sopteste-adânc: E mort!
Brigbelu se repede-n fereasta si priveste.
O mare de lumina pe-o clipa îl orbeste,
El vede mii de facle lucind si mii de suliti,
Multimea si ostasii se-mping vuind pe uliti,
Iar negre tac deasupra a capistelor bolti
S-ale cetatii ziduri c-un turn la orice colt.

S-a strecurat multimea si sala-i iar pustie.
Prin ea Brigbelu singur îmbla ca o stafie…
Adânc fugira ochii în cap, pierit e chipul,
Orlogiul în uitare demult si-a scurs nisipul,
Când iata o femeie mai alba ca omatul,

Iesind încet din umbra, o-ntoarce de-a-ndaratul,
Priveste cum din discul de aur iese fum
Si zice rar si rece: Esti multamit acum?
Atuncea el tresare si ochii învârteste.
Cum sta-nainte-i nalta, privind o mistuieste:
, , O, vino mai aproape, aproape l-al meu piept,
Odor cu par de aur si ochiul întelept.
Ca zece morti deodata durerile iubiri-s,
Cu-acele morti în suflet eu te iubesc, Tomiris.”
, , Dar lasa-ma ea striga. Ce galben esti la fata,
Suflarea ta ma arde si ochiul tau ma-ngheata.
Ce ma privesti atâta? A ta cautatura
Ma doare, cum ma doare suflarea ta din gura.
Ce ochi urât de negru! Cum e de stins si mort!
Închide-l, ah, închide-l privirea ta n-o port…”
, , Dar, ma iubesti, Tomiris tu ma iubesti atât,
Precum pe al meu frate nicicând nu l-ai iubit.”
, , Da, simt ca în puterea ta sunt, ca tu mi-esti domn
Si te urmez ca umbra, dar te urmez ca-n somn.
Simt ca l-a ta privire vointele-mi sunt sterpe,
M-atragi precum m-atrage un rece ochi de serpe,
Fugi, fugi în lumea larga! Ma faci sa-nnebunesc,
Caci te urmez si totusi din suflet te urasc”.

El o cuprinde… Fata ei alba atuncea piere
Si gura ei se strânge de-o stranie durere.
Ea ar tipa si glasul în gât i se îngaima.
Ea îl sorbea cu ochii, desi murea de spaima…
Si cum stau mâna-n mâna… tresar, tot mai aproape
Se strâng si peste ochii-i îsi lasa-a ei pleoape.
Din tainita adânca parea c-aud un vaier.
Deasupra ei Brigbelu, naltând faclia-n aer,
Îi zise:, , O, iubito, din nou ti se nazare.”
Iar ea mereu asculta, s-aude i se pare:
, , Se clatin visatorii copaci de chiparos
Cu ramurile negre uitându-se în jos,
Iar tei cu umbra lata cu flori pân-în pamânt
Spre marea-ntunecata se scutura de vânt!”

II

Brigbelu, rege tânar din vremea cea carunta,
Pe zeii vechii Dacii i-a fost chemat la nunta.
Frumos au ars în flacari prinosul de pe vatra,
Pe când intrara oaspii sub boltile-i de piatra.
În capul mesei sade Zamolxe, zeul getic,
Ce lesne urca lumea cu umaru-i atletic.
În dreapta lui sub valul de ceata mândrul soare,
În stânga-i sade luna sfioasa, zâmbitoare…
Din sale departate patrunde zvon de arma.
Prin el cimpoiul scitic porneste dulcea-i larma,
Trezind greoiul ropot de dant, caci la un loc
Toti oaspetii mai tineri loveau baltage-n joc,
Iar tinerele fete cu ei jucând de-a valma
Se-nvârt si se mladie usor sunând cu palma.

La mijlocul de masa pe tronu-i sade el
Cu plete lungi si negre, întunecos, Brigbel.
Si razimat pe spata al zeilor fiastru
Privea-n ochii miresei al cerului albastru.
Frumosi ca doua basme, izvoarele uimirii-s,
În paru-i lung de aur se învalea, Tomiris.
Încolo, voievozii, boiarii dupa treapta
Soptesc cu admirare în barba înteleapta
Când spune cântaretul povesti din alte vremuri,
De regi de-a caror fapte te miri si te cutremuri.
Spunea cum din deserturi, ce nu mai au hotara,
Venit-au de la Nilul cu tainice izvoara,
Pe negrele corabii cu mii de mii gloate,
Stapânul pe Egipet cu-averile lui toate.
Apoi veni acela ce-au frânt pe Minotaur,
Tezeu, sa cate lâna cu mitele de aur.
Apoi târziu în urma veni strainul oaspe
Cladind pe Istru poduri Dariu al lui Istaspe,
Un rege, ce în lume nu-si gasea loc sa-ncapa,
În Dacia venise, cersind pamânt si apa.
Si povestea batrânul de neamuri curgând râuri,

Din codri rasarite, iesite din pustiuri
Si cum pierira toate pe rând precum venira
Si cum catând norocul mormântul si-l gasira.

Si pe când toti asculta, chiar regii din firide,
Cu gura-n pumn ghidusul se strâmba si tot râde.
Cu mutra lui de capra si trup schilod de faun
Îsi târâie piciorul tinându-se de scaun.
Se clatin visatorii copaci de chiparos
Cu ramurile negre uitându-se în jos,
Iar tei cu umbra lata cu flori pân-în pamânt
Spre marea-ntunecata se scutura de vânt.

Deodata-n fundul salei, apare sub un arc,
Cu stânga razimata de spada-i de monarc.
Nebunul Sarmis care-i cu craiul frate geaman­
Ca umbra cu fiinta-i ei amândoi s-asaman.
Dar galben e la fata si ochii ard în friguri
Si vânata-i e gura. El vine cu pasi siguri
Si pe pumnaru-si scapa Brigbel mâna regala.
Din tron pe jumatate cu furie se scoala…
Nebunu-nalta dreapta, se uita lung la el ­
Cu mâna pe pumnaru-i încremeni Brigbel.
Si ca sa înteleaga nainte-i ce se-ntâmpla
Nebunu-si trece mâna la ochi, apoi la tâmpla,
Se uita turbur, pare ca si-ar aduce aminte
De-o veche povestire, cu jalnice cuvinte.
Cu glasul lui ce suna adânc, ca de arama,
El noaptea cea eterna din evii-i o recheama,
Arata cum din neguri cu umeri ca de munte
Zamolxe, zeul vecinic, ridica a sa frunte
Si decât toata lumea de doua ori mai mare,
Îsi pierde-n ceruri capul, în jos a lui picioare.
Cum sufletul lui trece vuind prin neagra ceata,
Cum din adânc ridica el universu-n brata,
Cum cerul sus se-ndoaie si stelele-si asterne,
O bolta rasarita din negure eterne,
Si decât toata lumea de doua ori mai mare

În propria lui umbra Zamolxe redispare.
, , Priviti-l cum sta mândru si alb pe naltu-i jet!
El îmfla rasuflarea vulcanului maret,
Daca deschide-n evii-i el buza cu mânie
Si stelele se spulber ca frunzele de vie;
El mâna în uitare a veacurilor turma
Si sorii îi negreste de pier fara de urma.
Daca se uita-n mare, ea tremura si seaca.
De-si pleaca a sa frunte, tot ceru-atunci se pleaca.
Ci-n evii tai, Zamolxe, tu n-ai creat vreodata
Un chip mai blând, mai gingas decât ast chip de fata!
Gândirea ta, divine, abia putu s-adune
Din mii minuni din lume o singura minune,
Caci numai tie singur îti fuse cu putinta
S-unesti atâta farmec cu-atâta necredinta…
Dar nu ti-o cer, tot darul ti-l zvârl iar la picioare.
De-a lumii tale bunuri privirea azi ma doare…
Nici vin sa-mi cer coroana, nici tara mea. O darui
Fasii s-o rup-oricine si cum îi place-oricarui.
La ce-as mai cere-o tara, în care nu-i credinta,
Unde un frate pe-altul s-ucida-i cu putinta!
Rebel! facusi din sceptru unealta de ocara
S-ai dat tu însusi pilda din om sa fie fiara.
Eu lumii trebuit-am, dar tie-ti trebui ea,
Sa fie rea, smintita, corupta, cum o vrea,
Tu esti din a ei mila stapân si s-o urmezi
Tu trebui, ca mai bine în scaun sa te-asezi;
Ca nu de vro suflare pe dânsul sa te clatini
Cata-vei sa iei ochii prostesti cu noua datini.
Din Sybaris vei strânge batrâni cu barbi boite,
Ca neamului sa-i deie naravuri mai spoite,
S-arate cum mosnegii, îmbalsamiti ca mumii
Întrec si tineretul în scandelele lumii!
Stramosi pierduti în veacuri, rânduitori de cete,
Coroana mea s-a voastra e plina azi de pete.
O, voievozi ai tarii, frângeti a voastre sabii
Si ciuma în limanuri sa intre pe corabii.
Puteti de-acum sa rumpeti bucati a mele flamuri,

Mânjit pe ele-i zimbrul adunator de neamuri,
De azi al vostru rege cu drag va sa îngroape
Domnia-i peste plaiuri, puterea-i peste ape.
S-acum la tine, frate, cuvântul o sa-ndrept,
Caci voi sa-ngalbeneasca si sufletu-ti din piept
Si ochii-n cap sa-ti sece, pe tron sa te usuci,
Sa sameni unei slabe si stravezii naluci,
Cuvântul gurii proprii, auzi-l tu pe dos
Si spaima mortii intre-ti în fiecare os.
În orice om un dusman sa stii ca ti se naste,
S-ajungi pe tine însuti a nu te mai cunoaste,
De propria ta fata, rebel, sa-ti fie teama
Si somnul vames vietii sa nu-ti mai ieie vama.
Te mira de gândirea-ti, rasai la al tau glas,
Încremeneste galben la propriul tau pas,
Si propria ta umbra urmând prin ziduri vechi,
Cu mânile-ti astupa sperioasele urechi,
Si striga dupa dânsa plângând, muscând din unghii
Si când vei vrea s-o-njunghii, pe tine sa te-njunghii!…
Te-as blestema pe tine, Zamolxe, dara vai!
De tronul tau se sfarma blastemul ce visai.
Durerile-mpreuna a lumii uriase
Te-ating ca si suspinul copilului din fase.
Învata-ma dar vorba de care tu sa tremuri,
Samanator de stele si-ncepator de vremuri.
Tomiris! vis de aur în viata-mi, sa te cert?
Durerea-mi, nebunia-mi, pustiu-mi ti le iert!
e sa te blestem oare? Caci visul mângâios
A trebuit sa piara… Prea, prea era frumos.
Cu-amor atât de fara de margini si de-nalt
Nu se cadea sa tie un om la celalalt.
Prea nu aveam în lume nici sfânt, nici Dumnezeu,
Prea ne uitasem astfel de tot si tu si eu.
Cereasca fericire nu se putea sa tina,
Nu se cadea s-o aiba o mâna de tarâna,
În lumea de mizerii si lacrimi nu e loc
Pentru atâta mila si pentru-atât noroc…
De-aceea-n codri negri ma-ntorc sa ratacesc.

În umbra lor eterna eu umbra-mi mistuiesc,
Privesc cum peste frunze uscate fara urme
Alearga zimbrii negri si cerbii fug în turme,
Iar lânga vechi fântâne de lume date-uitarii
Privesc în iarba-nalta sirepii albi ai marii.
Se clatin visatorii copaci de chiparos
Cu ramurile negre uitându-se în jos,
Iar tei cu frunza lata, cu flori pân-în pamânt,
Spre marea-ntunecata se scutura de vânt.”

III

Prin salele pustie un om în neagra haina
Temându-se de pasii-i, se strecura în taina.
Sub mantia lui lunga ascunde un pumnar,
Tot îndarat priveste cu spaima si amar
El râde… Se repede spre umbra-i … umbra sare.
Din dreptul unor ziduri, încet ea iar apare…
Asupra-i se repede si iar se da-napoi:
, , O, Sarmis, lupta lunga, grozava e-ntre noi!
Ce fugi? Ce fugi? Nu vezi tu la lupta ca te chem?
Nu crede cum ca tremur, nu crede ca ma tem!”
S-atuncea iar rasare si fata-i slaba piere,
Si ochiul fix se uita cu spaima si durere:
, , O, inima mea lasa, de ce-nlemnesti în sân,
Sfârseste! Si pumnarul îmi scap-acum din mâni…
Dar îl voi strânge bine… Stai… stai, nebun misel…”

Loveste crud o data si cate mort Brigbel.

cybershamans (karmapolice) / CC BY-NC-ND 3.0

Read More

SNOW IN JAPAN-PART 1

cybershamans (karmapolice) / CC BY-NC-ND 3.0

Read More

Michael Jackson - Ghost

cybershamans (karmapolice) / CC BY-NC-ND 3.0

Read More

THE ESOTERIC AGENDA IN EASTERN EUROPE-A MUST SEE BY ALL!!!!

AM PUS CLIPURILE MAI INTII CA SA INTELEGEM DESPRE CE VORBESTE OMUL AICI:








BY VC

THE illuminati Agenda in popular culture has become a worldwide phenomenon and it hasn’t spared Eastern Europe. Doda’s “Bad Girls” and Vintage’s “Trees” are two examples of very symbolic music videos that are extremely popular in Russia and Poland. We’ll look at these two video and see how their symbolic content is completely on-par with the world elite’s agenda.

What is called “the Illuminati” functions on a global scale, so it is only natural that its propaganda machine is also deployed on a global scale. While the American and British artists reach most of the world, “regional” stars are also used to propagate the elite’s Agenda to specific ethnic groups.

Previous articles on Vigilant Citizen have described the Illuminati symbolism found in music from Korea, Japan, Latin America and Russia. Despite the difference in culture and language between these countries, today’s globalized mass media machine manages to expose the entire world to a specific Agenda and to a precise set of symbols.

Eastern Europe is obviously not exempt from the media machine. Not unlike the rest of the world, pop stars are often handpicked, signed to international record labels and put in the spotlight using videos that are in line with the Illuminati Agenda.

In this article, we will look at Doda’s “Bad Girls” and Vintage’s “Trees”, two videos that, despite their limited market, have managed to get a lot of airplay and millions of YouTube views. Although not in the same language, both videos are a direct reflection of the philosophy and the goals of the Illuminati and act as a kind of “local distributors” of the elite’s Agenda. Let’s look at the message of these videos.

Doda’s “Bad Girls”

At first glance, one would be tempted to qualify Doda as a “bimbo”. And her first album cover would probably agree with you.

Doda's first album cover entitled "Bimbo" while she was in the group Virgin.

However, Doda is an extremely popular and influential figure in Poland. In fact, CNN ranked her as as the tenth most famous Pole in history. Yes, in HISTORY. That list includes Pope Jean-Paul II, Copernicus and Marie Curie.

Furthermore, the Polish magazine Viva! placed her among the ten most influential women in Poland. Not bad for a bimbo. She also has a knack for creating controversy. In 2010, she caused quite a stir when she stated that the Bible was written “by people who drank too much wine and smoked herbal cigarettes”.

Doda’s popularity and sex appeal made her a perfect choice for Illuminati propaganda. After a few albums with the rock band Virgin, Doda began a solo career as a pop singer and her album, the Seven Temptations, appear to have all of the hallmarks of a true Illuminati piece.

The video, “Bad Girls”, reads like an Illuminati for Dummies: Polish Edition book, cramming into its few minutes of musical horror a complete array of messages. Some might say: “The Illuminati Agenda exists in the U.S., but not in Poland” and so forth.

Well, Doda is signed with Universal Music, one of the five media conglomerates that distribute mass media across the world. It owns labels like Interscope, Geffen, A&M, Defjam, Island and Motown. She is therefore part of the elite’s system and was apparently chosen to be the Illuminati’s representative in Poland.

Bad Girls

The video takes place in a setting that the Illuminati loves: A futuristic dystopian police state. Cameras and “tele-screens” everywhere, police in riot gear and a faceless ruler: This imagery is present in pop videos around the world.

The “hero” of the story is Doda, a half-human half-robot, who emerges from some kind of transhumanist scientific lab. The promotion of the merger of humans and robots is a staple of the agenda, as seen in the article “The Transhumanist and Police State Agenda in Pop Music”.

The elite's preferred way of depicting their pop stars: Half-robots kept alive by a gigantic machine. The other "Bad Girls" are also attached to the machine.

There’s an English version of the song but the lyrics are kind of … nonsensical. However, they still manage to convey the fact that she’s “down with the dark side”.

“I know my way of my Babylon
All demons know, my booty show
Girl dress to kill I’m hell on heels
So come with me, we’ll go oh”

After blasting their way out of the lab, Doda and her girls then meet up in a restaurant that apparently serves humans: Another example of making dehumanization “cool” in music videos.

This restaurant is decorated with humans the same way steakhouses are decorated with cows. How engrossing.

In this restaurant for cannibals, Doda and her “bad girls” plan their attack on the big boss of the city.

The girl on the left has one eye hidden. Yes, Polish people also need to be exposed to this Illuminati One-Eye crap.

However, the meeting is interrupted by police in riot gear – a common sight in elite-supported videos (see the article entitled The Transhumanist and Police State Agenda in Pop Music).

Getting young people used to the sight of police in riot gear is an intricate part of the Illuminati Agenda in mass media.

When Doda sees the guards, she basically loses it and kills them with an animal-like scream (or something of the sors). Most people would be satisfied with such a result, but not Doda. She goes to the morgue where the dead guards are found and … gets sexy with one of them.

After cannibalism, necrophilia. I do not sense a lot of respect for human dignity in this video.

After she’s done with the dead guy, a strange phrase appears on his chest, one that appears to sum up the culture of death mass media keeps pushing on the world: “No Death, No Fun”.

"No Death, No Fun" ... is this the slogan of the occult elite that has plans for massive depopulation and enjoys ritual sacrifices?

Doda’s desecration of a dead body is not over. She accomplishes a symbolic gesture that confirms who is behind the message of the video.

Doda takes out one of the guy's eyes. Again, we have a reference to the "one-eye" symbol.

Doda uses the guard’s eye go past the security system that protects the access that leads to the King of the City. After a corny fight scene, Doda “overthrows” the King of the City and sits at his throne. A pill then emerges from her hand and, looking at the camera, Doda says “Try Me”.

Doda shows the viewers the pill they must "swallow" - symbolizing the doctrine they must accept - while urging them to "try her".

The sign on the pill has a heavy meaning. It is the symbol of Mercury, who is also known as Hermes - the "chief god" of the occult elite.

Usually, the bottom part of the symbol resembles a plus (+) sign however, in this case, one extremity has been elongated, making the sign look like an inverted cross - a symbol used in Satanism.

We therefore have a devil head sitting atop an inverted cross. Can't get more blatantly symbolic than that.

Doda’s overthrow of the King of the City can also be interpreted on a personal level. Since the video is very “anatomical”, the action of the video could happen inside a person’s body and mind. In this context, Doda and her girls, who were conceived in government labs, represent the Illuminati agenda that was conceived and calculated in elite think tanks. The message is inherently poisonous (hence “Bad Girls”) but is disguised as something sexy and attractive.

Doda (representing the propaganda) goes through the viewer’s eye (represented by the poking out of the guard’s eye) in order to access the brain – represented by the King of the City. She overthrows him and sits at his place, which represents a successful fight against the mind. Doda then asks the viewers to try her “Bad Girls” pill.

Therefore, in short, the same way Doda emerges from a lab and takes over the city, Illuminati propaganda emerges from think tanks and seeks to take over the masses’ brains through mass media. Popular culture promotes corrupt and debasing values, degrades human life and pushes transhumanism because this is where the elite want to take the world. Will you be swallowing the pill?

Vintage’s “Trees”

If Doda’s “Bad Girls” is a big, loud, heavy-handed and darn near offensive display of symbolism, Vintage’s “Trees” is a much more soothing experience. The subtle symbolism is, however, all the more powerful.

While the video appears to be just another other semi-spiritual, pseudo-esoteric and vaguely sensual music video (see Madonna’s “Frozen”), this one, when carefully decoded, has a heavy symbolic meaning: It describes the coming of a “new era” … but not before heavy tribulations.

As seen in the article entitled Mind Control Symbolism in Russian Pop: Vintage’s “Mikkie”, the group has already produced Illuminati-heavy music videos. That being known, is it surprising that the group’s latest video depicts the ultimate goal of the occult elite, namely the creation of a New World Order? Let’s look at the video’s most symbolic scenes.

Anna in a red dress - the ritualistic color of initiation and sacrifice.

The video begins in a dry and windy desert. Everything in the scene is in monochrome except for Anna’s dress, which is bright red. As we’ve seen in several previous articles, red clothing represents initiation and sacrifice. Anna walks towards a pyramid made of half-naked people who appear to be mesmerized by a mysterious source of light.

The people that make up the pyramid seem to be revering a light at the apex of the pyramid. The source of that light is unknown ... for now.

This pyramidal shape and its glowing capstone are very similar to a symbol many of you might be familiar with: The pyramid and All-Seeing Eye of the Great Seal of the United States – the main symbol associated with the occult elite, the Illuminati.

Does the pyramid and lighted capstone in Vintage's video refer to the Great Seal of the USA - which represents the unfinished "Great Work" of the occult elite?

While the pyramid in Vintage’s video is very similar to the one on the Great Seal, there is a notable difference between the two: The one in the video is made of people. These people blending together to form the base of the pyramid represent the masses, which is the true source of power of the elite.

Without the compliance (and ignorance) of the general population, the “Great Work” of the elite – a New World Order – would never happen. The people in the pyramid are very cattle-like, acting like lascivious zombies who are subject to their basest instincts.

Inside the pyramid is basically one big orgy - which goes in line with the elite's view of the masses: A big herd of animals that need to be kept distracted and under control.

A recurrent scene in the video appears to refer to the occult powers of sexuality, whether it be for illumination or manipulation.

Anna is sitting in a "chakra activation" position and performing a gesture reminiscent to Baphomet's "As Above so Below" hand sign. Behind Anna is an inverted triangle, a symbol that occultly represents the feminine.

The combination of all of these images, and, of course, the lips, point towards Sex Magick - a tool used by occultists for enlightenment, but that can also be used to control and manipulate.

Eliphas Levi's depiction of Baphomet in the same "chakra activation" position and performing a similar handsign.

The video then goes “underground”, where an important process occurs: The impregnation of Anna.

Below the ground, Anna is dressed in black (color of death and rebirth) and is tied up. She is surrounded by a bunch of nasty looking guys who are about to do nasty things to her.

In the following scene, we see the result of this simulated gang bang: A pregnant Anna posing in a way similar to the classic painting “Birth of Venus”. We then see a countdown from the year 2012 to the year zero, which is associated with the birth year of Jesus Christ.

Anna is shown pregnant and on top of the world while the years countdown to the year zero. Who will she give birth to?

When the countdown is over, a figure appears at the top of the illuminated pyramid:

Anna appears with a crown of thorns, dressed in white

Is this the second coming of Christ … or the coming of the anti-Christ? This new figure is definitely not the result of an “immaculate conception” as her conception happened while she was tied up and raped in a hellish, underground setting. The Christ figure is nevertheless revered by the masses. Anna-Christ then raises her hand and causes a great deal of death and destruction.

As the Christ figure raises her arm, civilization in its entirety appears to collapse.

Many people from the masses die from the tribulations - a fact that Anna-Christ doesn't seem to care about and that Anna in red almost celebrates.

After the period of “tribulations” is, a New World (Order) can start to grow.

After the death and destruction caused by Anna-Christ, the video ends with new life emerging from the ground.

This video is symbolic on several levels. It combines history, civilization and spirituality in a tale of initiation, death and rebirth. Atop an illuminated pyramid, a spiritual leader appears at the year zero – which denotes the beginning of a new Age, a new era or a new aeon – shakes up the entire world. While this figure appears to be the second coming of Christ, those who are acquainted with the Book of Revelation might notice that this new leader, which was conceived in an underground pit, bears many similarities to the Bible’s description of the Antichrist (also referred to as “the Beast”).

“The beast, which you saw, once was, now is not, and will come up out of the Abyss and go to his destruction. The inhabitants of the earth whose names have not been written in the book of life from the creation of the world will be astonished when they see the beast, because he once was, now is not, and yet will come.”
- Revelation 17:8 (NIV)

As we have seen in previous articles (i.e. the article on the movie Metropolis), the Illuminati places a great importance on the Book of Revelation and its telling of the Apocalypse. The esoteric interpretation of this Biblical enigma associates it with the end of the Age of Pisces and the beginning of the Age of Aquarius.

On an occult level, the process shown in the video can be compared to the steps of the Great Work of Alchemy: Nigredo, Albedo and Rubedo (translated to Blackening, Whitening and Reddening). These are the three alchemical steps to turn a crude metal into gold and, on a spiritual level, to turn a profane person to an illuminated person. These steps are represented by Anna’s clothing. In alchemy, the step of Blackening involves the putrefaction and decomposition of a body into its primal matter in order to create new life and is associated with “the difficulties man has to overcome on his journey through the underworld”. Anna was dressed in black in the scene where she was in an underground pit and “being consumed” by men. The process of Blackening leads to the birth of a new life, which is the step of Whitening – represented by Anna-Christ dressed in white. The final step, the Reddening, is manifested when man is master over both the physical as the spiritual world and is represented by Anna in red, the initiate who is the center focus of the video.

The world elite often represents its plans towards a New World Order as an alchemical “Great Work”. An example of this can be found on the Murals in headquarters of Bank of America (see the article Analysis of the Occult Symbols Found on the Bank of America Murals). According to their philosophy, the entire world can be subject to the same alchemical transformation that is applied to a single individual. The process would undoubtedly involve a lot of death and destruction but that appears to be “part of the plan” (as portrayed by the dead bodies found in the video). Is this why the coming of an Antichrist is portrayed in a positive way in the video?

In Conclusion

Doda’s “Bad Girls” and Vintage’s “Trees” are two very different videos, yet they have an important thing in common: they both portray critical parts of the Illuminati Agenda in mass media.

While the first video is a perfect example of how popular culture aims to debase the masses with self-destructive values, the second describes the “grand scheme of things”, according to the elite’s philosophy.

These two videos are just two examples of the Illuminati’s efforts to expose the entire world to its Agenda and symbolism. Through veiled tales of initiation and transformation, the masses unconsciously witness, via “entertainment”, celebrations of their own demise.

In the same way that the people in Vintage’s pyramid revere an unknown source of light, the masses idolize stars that work for an unseen elite. Will the masses be one day indoctrinated enough to welcome a “saviour” that will appear at the top of the Illuminati’s pyramid? Only time will tell.

source THE VIGILANT CITIZEN

cybershamans (karmapolice) / CC BY-NC-ND 3.0

Read More