Showing posts with label o mie si una de nopti. Show all posts
Showing posts with label o mie si una de nopti. Show all posts

Sunday, August 28, 2011

The Arabian Nights

“Is it possible, that by telling these tales, one might indeed save one’s self?”

The character, Scheherezade thought so. In fact, she tells each of the Arabian Nights tales in order to survive a little longer at the mercy of her listener, the Sultan.

The Arabian Nights stories are some of the world’s great treasures. They have existed for thousands of years, consisting of tales told in Persia, Arabia, India and Asia. The Arabian Nights (also known as The 1001 Arabian Nights) have inspired writers the world over with the ancient power of story.

There are versions of these stories in many languages and they all convey the great sense of adventure, truth, fantastic imagination, justice, and faith embodied by the great civilizations that contributed stories and ideas to the collection.

The Arabian Nights include fairy tales, fables, romances, farces, legends, and parables. The tales use a sweeping variety of settings, including Baghdad, Basrah, Cairo and Damascus, as well as China, Greece, India, North Africa and Turkey.

These fanciful, sometimes brutal tales, revel in the art of storytelling. The underlying suggestion of the Arabian Nights is that a fantastically precious jewel exists which, when it comes into contact with people, actually changes them.

The jewel is the magnificently powerful art of story. There may not be any better examples in the world of how art, trickery, magic and craft can swirl together and form a world that every reader and listener wants to enter.

Regardless of the situation presented in any particular Arabian Nights story, the assumption contained in the story is that life is always worth living and that human endeavor, along with human weakness, is a wonderful and fascinating thing to behold.

These stories form a powerful mental connection between the ancient civilizations of the East and those of the West. Moreso than any other piece of writing in history, these stories illustrate that the minds of the East and of the West consider carefully the same subject matter.

We offer here a selection of the Arabian Nights tales. There are hundreds in existence. These are versions translated by Andrew Lang in 1898 and Edward Lane in 1909. They are in the public domain and may be freely copied and shared.

We will be adding interesting things to our Arabian Nights pages over the next few months. You will find audio versions of some stories, illustrations, animations, additional stories by different translators, and information about the history of the stories.

PARENTAL NOTICE:

The Arabian Nights are not necessarily intended for young children. They contain violence and mature situations. Please exercise care when reading them to young children. Try reading the story you are interested in first, then decide if it is appropriate material for your young listener.

An Arabian Nights Audio Story

If you want to listen to our 1-hour audio version of Ali Baba and the Forty Thieves, click here.

The Andrew Lang Version (published in 1897):

The Edward Lane Version (published in 1841):

The John Payne Version (published in 1901):

More Arabian Nights Information


Scheherazade Telling the Tales
Kay Nielsen (1922)

Here is a wonderful BBC documentary called ‘Secrets of the Arabian Nights:’



source candlelightstories

cybershamans (karmapolice) / CC BY-NC-ND 3.0
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TU IN CE CARTE TE-AI MUTA?


SIMONA TACHE a pus o leapsa interesanta azi de dimineata pe blogul ei: "in ce carte m-as muta?"

Eu, clar, mi-as indeplini visul din copilarie si m-as muta in 1001 de nopti, cite o poveste pe sezon..cred ca as incepe cu Sinbad care mi-ar ostoi cheful de aventura si as continua cu
Orasul de arama ca sa vad cu ochii mei mormintele subterane si ascunse al regilor din vechime, apoi as calatori cu frumoasa Dilaram in pesterile de sub cascada din Muntele de fier si.....sint 1001 de aventuri.

Desigur la sfirsit mi-as alege cel mai sexy si razboinic print ca sa ma rasfete ziua cu arghile, matasuri chinezesti nemaivazut pictate, dulciuri aduse din cele mai ascunse colturi ale imperiului al carui gust il descifrezi dupa 20 de arome diferite...sau cu the excitment of a military campain-iar noaptea m-ar rasfata cu dragostea sa fierbinte...

Voi in ce carte v-ati muta?

Va las mai jos cu splendida lucrare a lui Yoshitaka Amano inspirata din 1001 de nopti, care ne arata visatul unui print si al unei printese din carte..nu va speriati ca nu e tradus, nu are dialog aproape deloc.









cybershamans
(karmapolice) / CC BY-NC-ND 3.0
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Thursday, March 4, 2010

O CALATORULE PRIN LUME



...DESTINATIA TA ESTE MORMINTUL

CEEA CE INCEPI ESTE O CALATORIE DE CITEVA ZILE NUMAI
O CALATORULE PRIN LUME
DE CIND LUMEA A FOST CREEATA
MILIOANE AU VENIT INAINTEA TA
DAR AU PIERIT SI S-AU TRANSFORMAT IN pRAF.
INVATA LECTIA-DESTINATIA TUTUROR ESTE MORMINTUL
CASELE TALE CELE FRUMOASE NU-SI MAI AU ROSTUL AICI
CEI CARE DORMEAU IN PALATE,
DORM ACUM IN TARINA
CITIVA METRI DE PAMINT SINT ACUM CAMINELE LOR.
OCHII TAI AU VAZUT MULTE INMORMINTARI
MIINILE TALE AU INGROPAT MULTE CORPURI SI TOTUSI...
DE CE ITI INTORCI FATA DE LA NOTA DE PLATA FINALA?
DESTINATIA TA E MORMINTUL
O CALATORULE PRIN LUME!

Mda, very tensegrity..asa cum zicea Don Juan oamenii obisnuiti sint 'nemuritori'...cred ca au tot timpul la dispozitie si il pierd cu prostii, pe cind oamenii cunoasterii sint'muritori': ei stiu ca nu au nici o clipa de pierdut, si isi valorifica la maxim putinele momente pe care le au pe acest pamint.

Cintecul acesta haunting imi aduce aminte de epitafurile scris in Orasul de Arama, cele gasite de calatorul Sinbad din adevarata culegere de texte initiatice a celor O mie si Una de Nopti, care in araba se cheama Halima-cartea visatului(si nu varianta porno care ne-a fost noua tradusa)




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