Am descoperit un film superb, crestin, profund, trist si vesel totodata, COLIBA-THE SHACK..este primul film in care un actor israelian il interpreteaza pe Iisus..un film despre depresie, tragedie si cum le putem depasi prin credinta-am plins, am ris, am fost bucuroasa..o sa va placa AICI TRADUS IN ROMANA TRAILER:
FILMUL este realizat in 1954 dupa celebrul roman al lui MIKA WALTARI, ce descrie viata medicului faraonului Akhenaton, primul faraon monoteist...interesant si bine realizat...
JINN este un film excelent din punct de vedere spiritual. Ne vorbeste despre traditia orientala a jinnilor(va mai aduceti aminte de 1001 de nopti?), fapturile de foc ce au fost creeate inainte de Adam si au stapinit lumea, pina cind fii omului au aparut.Filmul are citeva secrete spirituale foarte interesante. Vi-l recomand cu caldura si nu uitati sa va uitati la cele doua scene de la sfirsit intercalate intre listele cu actori si producatori.
Vizionare placuta! Despre chillaaici TRAILER: cybershamans (karmapolice) / CC BY-NC-ND 3.0
The Siam Renaissance is a movie that is adapted from a historical (and a love story) Thai Novel "Tawipob"(Two Worlds) by Tamayanti. A lady in modern time Bangkok could travel back in time, 150 years ago, to the reign of king Rama |V (King Mongkut) and King Rama V (King Chulalongkorn) when Siam (Old name of Thai) has to confront colonialism from the westerns. This movie also demonstrates attitude of Thai people in general towards the royal institution.
Am revazut cu placere acest film minunat acum doua zile, si m-am gindit sa-l impart cu voi...un film mistic, spiritual, de arta care ne duce in adincurile Asiei cu legendele sale, si ne face sa mai speram in frumusetea si profunzimea spiritului uman..enjoy! AICI SUBTITRAT IN ROMANA and the TRAILER: A beautiful movie about the life of Omar Khayyam as seen through the eyes of his 12 years old greatgreat....nephew..stunning visuals, marvellous legends, a must see for the spiritual seeker. HERE IN FULL cybershamans (karmapolice) / CC BY-NC-ND 3.0
Mandala is a 1981 South Korean film about Buddhist monks in Korea. This is considered by many critics to be director Im Kwon-taek's breakthrough film as a cinematic artist. - The film follows the differing lives of two Buddhist monks in Korea. By following their lives and their interaction throughout the film, Im creates a contemplation of the nature of individualism, religious belief and enlightenment. - Six years after renouncing the secular world to solve the riddle of life and death, young Buddhist monk Beob-wun (Ahn Sung-ki) is still roaming the country without coming any closer to enlightenment. While riding a bus, he sees a recreant monk placed in a predicament because he does not have his identification. He helps out the monk, named Ji-san (Jeon Mu-song), and the two begin to travel together.
Ji-san, who always has a bottle of booze on hand and even carries around a suicide pill, sometimes seems like an enlightened saint and at other times like a reprobate infected by secular life. At first, Beob-wun regards Ji-san's eccentricities as mere outward show and despises him for it, but he increasingly senses an extraordinariness about his traveling companion. After repeated meetings and partings, the two monks settle down at a small temple deep in the mountains. While climbing up to the temple one day in an inebriated state, Ji-san falls asleep in the snow and freezes to death. Beob-wun burns Ji-san's remains and seeks out his own mother (Park jung-ja). He also meets Ok-sun, a woman Ji-san had never gotten over. His meetings reaffirm the futility of all secular relationships, and young Beob-wun sets off on his ascetic path once more. - A masterpiece among Korean religious films, and one of the most beautiful of Im Kwon-taek's works
The long shot of Beob-wun and Ji-san as they walk along the tree-lined path marking the boundary between snow and mud a shot that recalls the grace of a black-and-white ink painting conveys the most beautiful image of companionship in Korean cinematic history. The path they tread also symbolizes the boundary between passion and enlightenment, life and death, reincarnation and nirvana. In the first half of Mandara, Ji-san is characterized as someone who, in the words of Beob-wun, "is imitating the eccentricities of the enlightened priests of old." But as the movie progresses, his image begins to take on increasing genuineness.
The narrative of Mandara is, in a sense, the process of presenting in a timely manner various pieces of information that infuse life and inspiration into the character of Ji-san. The movie also boasts outstanding direction and camera work, striking a curious contrast between direct lines that give testimony to the times e.g. "Monks must never get fat; they have no right to be" and indirect, stable cinematography that enfolds the characters who utter these lines into the arms of nature.